Pioneering
Bistro Untouched
By Vastly Altered Surroundings
By
Moira Hodgson
Florent
One Star
Dress: Casual
Lighting: Soft
Noise Level: Fine
Wine List: Mainly French, limited, inexpensive
Credit Cards: Cash only
Price Range: Main courses, $7.50 to $24
Hours: 24 hours a day, seven days a week
Twenty-one years ago, Florent Morellet opened
his bistro in an old diner in the meatpacking
district. Since then, the neighborhood has
changed almost beyond recognition. By night,
it’s no longer a dark, gritty (and
for some, thrillingly dangerous) part of
town. Stretch limos now roam the streets
once prowled by hookers. Trendy mega-restaurants,
boutiques and antique stores have taken over
many of the old buildings, while S&M
bars like the Mine Shaft and the Anvil have
disappeared. But when dawn comes, you can
still watch refrigerator trucks backing into
the brightly lit warehouse doorways as men
in bloodstained white coveralls unload sides
of meat hanging on aluminum racks like Francis
Bacon still lifes. It’s the last authentic
sight in a neighborhood that many feel has
little more character left to it than Times
Square.
And then there is Florent.
Florent is like the sort of place that people
went to at 4 o’clock in the morning
in Les Halles before they tore the market
down. Open 24 hours a day for a bowl of onion
soup or steak frites, it was a pioneer in
the meatpacking district, its original “destination
restaurant.” It remained hip and cool
because, as Mr. Morellet put it, “The
location was a natural velvet rope.” Over
the years, it has kept its impish spirit
and has altered very little. It’s even
managed to retain most of the original staff—quite
a feat, given the vagaries of the restaurant
business.
This
enduring bistro is tucked away on a narrow
cobblestone street near the waterfront,
not far from Pastis. The name is emblazoned
in pink neon in the window, under the old
R&L Restaurant sign, which Mr. Morellet
retained. If you look to the left when you
walk in, you feel you’re in an American
diner. There’s quilted aluminum paneling
behind the counter and three sections of
cafeteria-style blackboard with white lettering.
But instead of “eggs over easy” or
the day’s specials, the letters spell
out the weather report and recommendations
for what’s going on around town (the
Count Basie Orchestra, Ute Lemper). The right
side of the restaurant is lined with Formica
tables and red vinyl banquettes, and the
wall is hung with a long mirror and fanciful
maps from all over the world.
“French tourists look to the left and
feel they’re in New York; Americans
look to the right and imagine that they’re
in Paris,” Mr. Morellet said.
An etching of Marie Antoinette hangs on
the wall by the bathroom. She has a dotted
line drawn across her neck and a pair of
open scissors pointing toward it.
By 8:30 of an evening, Florent has filled
up. Looking down the line along the banquettes,
it’s as though the customers had
been handpicked to represent every era
and walk of life, from the grizzled intellectual
couple to the young women with hair dyed
like peacocks. At the next table, there’s
shrieking laughter as two couples wind
up dinner with brandy and sodas.
The food is traditional bistro fare, served
in generous portions, and the plates come
out super-fast. You can begin with a bowl
of fragrant mussels cooked in white wine
with lemon and garlic, piled up and served
with excellent fries. A rich, grilled boudin
noir arrives tender under its crackling
skin, with stewed apples and fries. When
did you last have a plain-boiled artichoke
with Dijon vinaigrette? Delicious. There
are snails, of course, and they’re
served loaded with garlicky butter in a
ceramic snail platter. The salads are very
fresh and nicely dressed. There’s
arugula topped with a goat-cheese-stuffed
mushroom, and there’s a hearty tossed
salad, made with beets, endive, pear and
walnuts, which we could have shared among
four.
Our main courses, hot on the heels of the
first, were delivered by a beautiful, unsmiling
waitress. Was she Russian?
“Danish.”
“What
do you think of the New York sense of humor?”
“Well, at least you don’t make
cartoons.”
A classic steak frites, a juicy 10-ounce
sirloin, costs $21.50; filet mignon au poivre,
cut about three inches thick and served with
mashed potatoes and spinach, costs $24. Grilled
salmon comes with a miso vinaigrette; a tuna
steak, cut on the thin side, comes with a
pleasant lemon white wine sauce. The prices
are certainly reasonable (only cash is accepted).
I don’t know many places where you
can get a free-range chicken with mashed
potatoes and salad for $16.50. Come here
during the day and you can set yourself up
for the afternoon with a “working girl’s
lunch”: choice of soup, salad or crème
caramel with main course and coffee for $9.95.
Desserts include chocolate mousse served
in a glass, an excellent cheesecake with
a crumb crust and the fine crème caramel.
The pastry on the apple crumble seemed to
have had quite a workout, however.
When Mr. Morellet first moved in, the diner
had been catering to the butchers. So he
made a hamburger at cost for $1.95 (it’s
now $9.95). “They said, ‘It’s
so expensive. There goes the neighborhood!’”
In fact, Mr. Morellet has been a tireless
community activist, campaigning for the meatpacking
district’s designation as a historic
landmark and thwarting the infamous skyscraper
designed by the architect Jean Nouvel. He
has also championed causes from saving the
High Line to gay rights, abortion rights
and the right to die. His annual Bastille
Day celebration at Florent, complete with
feathered drag queens, is legendary.
A few doors down on Gansevoort Street, a
mega-restaurant, Sascha, is set to open.
But when Mr. Morellet returned from vacation
last week, he was astonished to learn that
the two restaurants on either side of Florent
had closed while he was away. “If you
live in New York, you better enjoy change,” he
said.